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Junkanoo dance

Most visitors to our country, who have never had the privilege of viewing a live Junkanoo parade, often ask the question: What is Junkanoo dancing? Before our African ancestors came to The Bahamas some two and a half centuries ago, the dance was led by an African whose name is recorded as Yokonomo or Jankomo.

His original version of this hypnotic, gyrating, pelvic shaking dance, was simply accomplished by taking on step forward and two steps backwards. Through the ensuing years, the Junkanoo dance was a free spirited, free style dance where Junkanooers did whatever they wanted to do.

However, it was during the 1950’s that Richard “Sweet Richard” Dean ushered in a new era in the development of Junkanoo dance choreography, with the introduction of the “Shuffle”. Likewise, when Percy “Vola” Francis came to the forefront of local Junkanoo as leader of the “Saxons Superstars” in the 1960’s he brought with him his own version of the dance affectionately known as the “Vola Shuffle”, which has continued to be the most famous dance to this day.

In the 1980’s Junkanoo dance choreography took on a new look. For a time, many of the local stage choreographers would take the steps showcased on the street Junkanoo parade and incorporate them into their productions on stage. Now the time had come for these plagiarized steps from the stage to make their way to the real Junkanoo stage, which is the world-renowned Bay Street.

The year was 1988. The venerable Paul Knowles, who was then co-leader of the Valley Boys Junkanoo group, required the services of the Carolyn Vogt Dance Company to come up with the choreographed routines for the parade. Their fancy steps and routines brought tremendous success to the already seasoned Valley boys, as they became almost unbeatable.

The other major groups soon realized the advantage to be gained from having their own routines, and now hire the services of choreographers and dancers for the Boxing Day and New Year’s Day parades.

As the Junkanoo music and dance is distinctly African in nature, most modern day Junkanoo dance choreographers try to make their routines as ethnic as possible. At the present time, individual prizes for the best dance category are not given, but hopefully this anomaly will soon be alleviated in the not too distant future. Such a prize would undoubtedly serve as a tremendous incentive for both groups and individuals to come up with even more fanciful moves and steps to add the enjoyable parades.




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